The Ballets Russes, a ground-breaking dance company at the beginning of the 20th century, took inspiration from ancient art and sculpture from Greece, Rome, and Egypt to create costumes, poses, and set designs as “Hymn to Apollo: The Ancient World and the Ballets Russes” explores.
“Frida Kahlo: Appearances Can Be Deceiving,” on view at the Brooklyn Museum, displays a collection of her personal belongings, including clothes, cosmetics, accessories, medical devices, and paintings, allowing the audience to imagine themselves in the shoes of Kahlo.
In the fashion world everything has already happened. The inaugural exhibition, “Fashion Repeats Itself. The revival styles in 19th-century ladies fashion,” opening March 29th at the new Museum of Historical Costume in Poznan, Poland explores just that theme.
Since its inauguration in 1969, the Museum at FIT has presented nearly 200 fashion exhibitions incorporating themes that intrigue and inform a broad range of audiences. “Exhibitionism” features 33 of the museum’s most interesting and influential fashion exhibitions.
The Morgan Library & Museum’s collection of prints includes an extremely rare set of the world’s most radical fashion plates. Recently rediscovered, these revolutionary 1797-1804 pictures from the Journal des Dames et des Modes, in exceptionally good condition, have been digitized and edited in a website, Style Revolution.
“The Body: Fashion and Physique” explores fashion’s role in shaping and reflecting changing cultural ideals about the body through a selection of garments that highlight the origins and importance of contemporary body-positive trends.
A hub for fashion research with hundreds of essays on specific artworks, garments and films, the Woomans Fasion equips students and researchers with essential facts, vocabulary, models of analysis, and links to digitized primary & secondary sources.
Today’s idea of political support is buying a t-shirt and promoting a specific candidate. However in the 1960s and 1970s, the idea that many clothes were handmade was a political statement on its own.
- 1840 – Queen Victoria’s Wedding DressIn 1840-1849, 19th century, garment analysis
- 1872 – Emile Pingat, Visiting DressIn 1870-1879, 19th century, garment analysis
- 1904 – John Singer Sargent, Lady Helen Vincent, Viscountess D’AbernonIn 1900-1909, 20th century, artwork analysis
- 1878 – James Tissot, EveningIn 1870-1879, 19th century, artwork analysis
- clocks/clockingIn 17th century, 18th century, 19th century, C, term definition